The Perfect Part XLR Male to 1/4" TS Mono Cable 6 ft 6-pack 22 AWG
- General
- Black
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The Perfect Part
Ten XLR male to 1/4-inch TS mono cables with nickel-plated zinc connectors and shielded 22 AWG copper conductors for noise-free instrument connections
This ten-pack supplies XLR male to quarter-inch TS mono cables for connecting microphones or line-level sources to mixers, interfaces or PA systems. Each cable measures ten feet and uses bare-copper conductors inside a soft PVC jacket. The nickel-plated zinc-alloy connectors are shielded to reduce noise in professional audio environments.
The male XLR and male TS plugs insert directly into standard sockets; no soldering or adapters are required. The soft PVC jacket resists kinking and tangling during rapid setup or teardown. A common issue is accidentally using a TS plug where a balanced TRS connection is needed, which leaves the signal unbalanced and more prone to hum.
Check that your source equipment provides XLR male outputs and your destination devices accept quarter-inch TS inputs. Confirm the application uses unbalanced mono wiring, because these cables do not carry a balanced or stereo signal. The ten-foot length suits typical stage or rack distances but may be short for larger venue runs.
| Brand | The Perfect Part |
|---|---|
| Type | General |
| Color | Black |
| Terminal Gender | Male-Male |
| Features | 10-pack; Color: Black; Material: Nickel Plated Zinc Alloy + Shielded for Optimal Transmission; Gender : Male-Male |
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Plug each cable between your microphone or instrument and the mixer or interface, then listen for hum, buzz or dropouts — the shielded bare-copper conductors and nickel-plated zinc-alloy connectors are designed for high-quality noise-free performance, so a silent background with clear audio confirms they are working as intended.
The package includes 10 cables, each 10 ft long with an XLR 3-pin male connector on one end and a 1/4" TS mono plug on the other; no additional adapters are required for standard XLR-to-TS connections.
The 10 ft cables in this pack suit most near-field microphone or instrument placements; choose 6 ft for tighter setups or 15 ft when the source is farther from the mixer or interface.
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