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Three black XLR microphone cables coiled together 25 ft each

Hammer Anvil

Hammer Anvil 3-pack XLR male to female microphone cable 25 ft

SKU CH-ERZ9-MT6NP

Three 25 ft XLR male-to-female microphone cables with flexible, low-noise jackets for studio or live use

  • Three 25-foot cables cover multiple microphones
  • XLR male-to-female connectors secure every link
  • Flexible polymer jacket resists kinks on stage
  • Low-noise construction keeps handling sounds out
  • Ready for studio or live sound use

Three-cable pack for multi-microphone setups

This Hammer Anvil value series bundle supplies three XLR male-to-female microphone cables, each 25 feet long. The pack suits home studios, podcast rigs and small live venues where several microphones must reach a mixer or interface from a distance. Having three identical leads removes the need to swap cables between takes.

Flexible polymer jacket keeps handling noise low

A soft yet durable outer jacket resists kinking and routes easily around stands, desks and stage gear. The material is engineered to minimise handling sounds so the audio signal stays clean during recording or performance. Standard XLR connectors on each end provide a secure, reliable connection.

Consistent reach across long sessions

Each 25-foot length gives ample slack for positioning microphones away from the sound source or running cables across larger rooms. The three-cable quantity means multiple channels stay connected simultaneously without repeated unplugging. Build quality is intended to hold up through repeated studio or live use.

Highlights

  • Three 25-foot cables cover multiple microphones
  • XLR male-to-female connectors secure every link
  • Flexible polymer jacket resists kinks on stage
  • Low-noise construction keeps handling sounds out
  • Ready for studio or live sound use

Specifications

No published specifications for this item yet.

Questions about this item

How do I connect the XLR male and female ends so the signal flows correctly?

Plug the male XLR into the microphone or source and the female XLR into the mixer or interface; the latch clicks when fully seated, preventing accidental disconnects during a session

What part of these cables wears out first and how do I extend their life?

The latch mechanism and solder joints at the connector backshell see the most stress; coil loosely using the over-under method and avoid sharp bends near the ends to reduce fatigue

At what distance does the 25-foot length start to pick up noticeable hum or signal loss?

For balanced microphone signals the 25-foot run stays well within low-impedance limits; audible degradation typically appears only on much longer runs or near strong power cables

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