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Silver 1U rackmount interface with four combo XLR jacks, two headphone sockets, knob and small display

RME

RME Fireface 802 FS 60-Channel USB-B MIDI Interface

SKU CH-CDDJ-8GJA1

60-channel USB-B audio/MIDI interface with 24-bit/192 kHz conversion, SteadyClock FS, four combo preamps, eight line outputs and dual headphone jacks

  • 60 channels handle large studio and live sessions
  • 24-bit / 192 kHz conversion captures every detail
  • SteadyClock FS keeps timing tight for stable recordings
  • Four combo inputs take mic, instrument and line signals
  • Two headphone outputs deliver +17 dBu for loud monitoring

Studio interface for recording and live use

The RME Fireface 802 FS is a 60-channel USB-B audio and MIDI interface built for studio recording, live performance and post-production. It delivers 24-bit 192 kHz conversion with SteadyClock FS jitter suppression. Four combo inputs handle microphone, instrument and line signals with 48 V phantom power. The unit fits a single rack space and runs on AC power with Mac, Windows and iPadOS compatibility.

Thermals noise and power in normal use

AC-powered operation keeps the chassis cool and silent during extended sessions. The reference-grade converters and active clocking maintain stable performance without audible artefacts. DC-coupled outputs on all eight analog line outputs provide consistent voltage for modular integration. Headphone outputs deliver +17 dBu level for clean monitoring at any volume.

Upgrade from limited I/O interfaces

This unit replaces interfaces that lack sufficient analog I/O, digital formats or standalone operation. The jump is worth it when a project demands four high-grade preamps, eight line inputs, eight line outputs, ADAT, S/PDIF, AES, Wordclock and MIDI simultaneously. Buyers who need only stereo recording or a single headphone output will not use the full feature set.

Highlights

  • 60 channels handle large studio and live sessions
  • 24-bit / 192 kHz conversion captures every detail
  • SteadyClock FS keeps timing tight for stable recordings
  • Four combo inputs take mic, instrument and line signals
  • Two headphone outputs deliver +17 dBu for loud monitoring

Specifications

No published specifications for this item yet.

Questions about this item

How do I connect the four XLR/TRS combo inputs on the front panel of the RME Fireface 802 FS, and what setting is often missed?

Plug microphones, instruments or line sources into the combo jacks, then set each channel to Mic, Line or Hi-Z in TotalMix FX so the preamp matches the source.

Which parts of the Fireface 802 FS will need maintenance or replacement over time?

The two headphone output jacks and four combo input sockets see the most physical wear; keep them clean and avoid side-load on cables to extend their life.

What limit appears first when running all 60 channels at 192 kHz on the USB-B link?

The USB-B bandwidth ceiling is reached first, forcing a reduction in active channel count or sample rate to maintain stable ultralow-latency operation.

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