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RME

RME DTOX-16 O Breakout Panel 16 XLR to 2 D-sub 25-Pin

SKU CH-CWP9-FFHRN

Connects 16 XLR outputs to two 25-pin D-sub connectors for RME M-32 DA and M-16 DA interfaces

  • 16 XLR outputs connect to two D-sub 25-pin connectors
  • Channels 1-8 and 9-16 managed on separate D-sub ports
  • Works with any interface using analog 25-pin D-sub output
  • Compatible with RME M-32 DA and M-16 DA interfaces
  • Durable stage box with robust DB-25 and XLR connectors

Professional Audio Breakout

The RME DTOX-16 O Breakout Panel connects 16 XLR outputs to two D-sub 25-pin connectors for professional audio environments. It manages channels 1-8 and 9-16 separately across the two D-sub ports. This panel suits sound engineers, recording artists and live-sound technicians who need reliable analog signal routing.

Passive Signal Path

As a passive breakout device, the panel draws no power and generates no heat or noise during operation. The all-analog signal path introduces no active circuitry between the interface and the XLR outputs. This design ensures transparent audio transmission without added colouration or interference in studio or stage settings.

Stage-Box Durability

The rugged stage-box chassis houses robust DB-25 and XLR connectors rated for repeated mating cycles in touring and fixed installations. Secure locking XLRs prevent accidental disconnection during performances. The panel integrates directly with RME M-32 DA and M-16 DA interfaces and supports any gear providing analog 25-pin D-sub outputs.

Highlights

  • 16 XLR outputs connect to two D-sub 25-pin connectors
  • Channels 1-8 and 9-16 managed on separate D-sub ports
  • Works with any interface using analog 25-pin D-sub output
  • Compatible with RME M-32 DA and M-16 DA interfaces
  • Durable stage box with robust DB-25 and XLR connectors

Specifications

No published specifications for this item yet.

Questions about this item

How do I connect the two D-sub 25-pin cables to the correct channel groups on the DTOX-16 O?

Plug the first D-sub 25-pin cable into the port labelled for channels 1-8 and the second into the port for channels 9-16; the panel routes each group to its own bank of eight XLR outputs.

What maintenance will the 16 XLR output connectors need over time?

Inspect the XLR pins for oxidation and reseat each connector periodically; the stage-box chassis is built for repeated mating cycles but the contacts benefit from occasional cleaning.

What is the first limit I hit when running all 16 outputs continuously in a live show?

The panel is a passive breakout, so sustained use is limited only by the cable length and the driving interface's output capability, not by the box itself.

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