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On-Stage AS800 microphone bundle with broadcast arm, pop filter, shock mount and case

On-Stage

On-Stage AS800 FET Condenser Microphone Bundle with Broadcast Arm and Pop Filter

SKU CH-K8YM-MPB49

Large-diaphragm FET condenser microphone bundle with broadcast arm and pop filter for studio-quality recording

  • Professional sound with 32 mm gold diaphragm
  • 20 dB self-noise captures quiet detail
  • Cardioid pattern rejects off-axis sound
  • Broadcast arm positions mic without desk clutter
  • Gooseneck pop filter tames plosive bursts

Studio Microphone Bundle for Home

The On-Stage AS800 bundle supplies a large-diaphragm FET condenser microphone, a broadcast arm with internal springs and integrated XLR cable, a gooseneck pop filter, shock mount, windscreen, mic bag and carrying case. A 32 mm gold diaphragm captures vocals, acoustic instruments and kick drums with a full-range frequency response. The cardioid polar pattern rejects off-axis sound for focused recordings.

Low-Noise Operation and Stable Positioning

The microphone achieves an equivalent noise level of just 20 dB, preserving subtle nuances during quiet passages. Internal springs in the broadcast arm hold position without audible creak or drift. The integrated XLR cable eliminates external cable clutter and reduces handling noise. The gooseneck pop filter attenuates plosives for cleaner vocal tracks.

Consistent Performance During Extended Sessions

FET condenser topology handles high sound-pressure sources without distortion during long takes. The shock mount isolates the capsule from stand-borne vibration over hours of use. Fixed cardioid response maintains consistent off-axis rejection without pattern-switching artefacts. The bundle delivers reliable, repeatable results for podcasting, voice-over and music production.

Highlights

  • Professional sound with 32 mm gold diaphragm
  • 20 dB self-noise captures quiet detail
  • Cardioid pattern rejects off-axis sound
  • Broadcast arm positions mic without desk clutter
  • Gooseneck pop filter tames plosive bursts

Specifications

No published specifications for this item yet.

Questions about this item

How is the broadcast arm with integrated XLR cable installed, and what step do people get wrong?

Clamp the arm to a desk edge up to the rated thickness, route the internal XLR cable through the arm channels, attach the shock mount and microphone, then tighten all joints so the arm holds position without drifting.

What maintenance or replacement will the pop filter and shock mount need later?

The metal gooseneck pop filter can be wiped clean; the fabric screen and elastic shock-mount bands should be replaced if they stretch, tear or lose elasticity.

At what self-noise level does the 32 mm gold diaphragm hit its limit during sustained recording?

The equivalent noise floor is 20 dB, so very quiet sources recorded at high gain will reveal hiss before the microphone distorts.

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