Knox Gear KN-GC02 39" Hard Shell Guitar Case Gold Hardware
- Guitar Bag
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Mackie
Twelve-channel analog mixer with eight Onyx preamps, 96 kHz 24-bit USB multitrack recording, Perkins EQ, DSP effects, Bluetooth streaming and SD card capture
The Mackie Onyx12 is a 12-channel premium analog mixer built for live sound, home recording and content creation. It provides 8 Onyx mic preamps offering up to 60 dB of gain for clean signal capture. British-style Perkins 3-band EQ with sweepable midrange adds analog warmth and tonal flexibility. The compact chassis integrates a full-colour display for single-knob navigation of effects and SD card files.
The ultralow-noise analog circuitry keeps the noise floor minimal during quiet passages and high-gain applications. Passive cooling avoids fan noise entirely, preserving silent operation for studio and stage use. Efficient power management supports extended sessions without excessive heat buildup. The robust chassis shields internal components from electromagnetic interference in demanding environments.
Bluetooth streaming enables wireless audio input from mobile devices for backing tracks or break music. Direct SD card recording and playback captures performances at 96kHz / 24-bit without a computer connection. The digital effects engine supplies reverb, delay and modulation algorithms accessible via the colour display. USB multitrack recording sends 12 channels to a Mac or PC for DAW integration.
No published specifications for this item yet.
Connect the USB cable to the mixer and your Mac or PC, then select the Onyx12 as the audio device in your DAW and set the sample rate to 96kHz; the step often missed is enabling all 12 input channels in the DAW's audio preferences so every track records separately.
The channel faders, rotary knobs, and XLR/TRS combo jacks are the primary wear items; fader tracks can develop noise, potentiometers may scratch, and jack springs fatigue — clean faders with contact cleaner and reseat cables periodically to extend life.
The USB 2.0 bandwidth caps sustained multitrack throughput, so very long sessions at 96kHz/24-bit across all 12 channels can risk buffer underruns; lowering the sample rate or track count prevents dropouts.
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