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Miniature hanging condenser microphone with steel bracket and 30ft cable

LORDWORLD

LORDWORLD CM12C Hanging Choir Microphone 30ft

SKU CH-FQ2A-7AAAC

Miniature hanging condenser microphone with cardioid pickup, steel bracket and 30-foot cable for choir or orchestra reinforcement

  • Condenser element captures clear choir sound
  • Cardioid pattern rejects unwanted room noise
  • 30-foot cable reaches high ceilings easily
  • Steel bracket secures microphone in position
  • Mini-to-standard XLR adapter connects to mixers

Hanging choir microphone

The LORDWORLD CM12C is a miniature condenser microphone designed for suspended placement above choirs or orchestras in church sound systems. Its cardioid pickup pattern focuses on sound from the front while reducing ambient noise from the sides and rear.

30-foot hardwired cable

The microphone includes a hardwired 30-foot cable terminated with a mini XLR connector. A steel hanging positioning bracket allows precise aiming, and a mini to standard XLR adapter is supplied for direct connection to mixer inputs.

9-52 volt phantom power

Operation requires 9 to 52 volt phantom power from the mixing console or an external supply. The multistage windscreen helps reduce plosives and air movement noise during vocal or instrumental performances.

Highlights

  • Condenser element captures clear choir sound
  • Cardioid pattern rejects unwanted room noise
  • 30-foot cable reaches high ceilings easily
  • Steel bracket secures microphone in position
  • Mini-to-standard XLR adapter connects to mixers

Specifications

BrandLORDWORLD

Questions about this item

Which version of this hanging choir microphone should I choose?

The CM12C is offered as a single configuration with a 30‑foot hardwired cable, a steel hanging bracket and a mini‑to‑standard XLR adapter included.

How does the cardioid condenser element behave once it is installed in a church sound system?

The cardioid pickup focuses on sound from the front while rejecting off‑axis noise, so the choir is captured clearly even in a reverberant space.

What phantom‑power range does the mini XLR interface require and what does that limit in practice?

It operates on 9‑52 V phantom power, so any mixer or preamp supplying voltage in that range will power the microphone without an external supply.

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