LORDWORLD
LORDWORLD CM11B Boundary Microphone Effect
Surface-mount omnidirectional boundary microphone with condenser element, half-omni pickup pattern, internal hi-pass filter and mini XLR connector
- Surface-mount design installs flush on tables or walls
- Condenser element captures clear, detailed audio
- Half-omni pattern focuses pickup while rejecting rear sound
- Internal hi-pass filter reduces low-frequency rumble
LORDWORLD CM11B Boundary Microphone
The LORDWORLD CM11B is a surface-mount omnidirectional boundary microphone built around a condenser element. Its half-omni pickup pattern captures sound from a hemispherical area above the mounting surface. An internal hi-pass filter reduces low-frequency rumble and handling noise. The Mini XLR connector provides a balanced professional audio connection.
Mini XLR Connector and Hi-Pass Filter
The Mini XLR connector ensures a secure, balanced signal path suitable for professional mixing consoles and audio interfaces. The internal hi-pass filter actively attenuates unwanted low-frequency content such as HVAC hum or table vibrations before the signal leaves the microphone. This combination simplifies cabling in permanent installations and reduces the need for external filtering hardware. Buyers needing a standard full-size XLR connection or a different polar pattern will require a different microphone.
Highlights
- Surface-mount design installs flush on tables or walls
- Condenser element captures clear, detailed audio
- Half-omni pattern focuses pickup while rejecting rear sound
- Internal hi-pass filter reduces low-frequency rumble
Specifications
| Brand | LORDWORLD |
|---|
Questions about this item
What maintenance will the condenser element and internal hi-pass filter need over time?
The condenser element and internal hi-pass filter are solid-state with no moving parts; occasional cleaning of the boundary surface and checking the mini XLR connector for dust is the only upkeep required.
What limit appears first during sustained use of the half-omni pickup pattern?
The half-omni pickup pattern captures sound from the mounting surface outward, so the first limit under sustained use is the acoustic environment — reflections and off-axis noise will color the signal before any electronic headroom is reached.
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