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Boxed pack of 50 sheets of 16x20 inch matte fibre-based photographic paper

Ilford

Ilford Multigrade FB Classic Enlarging Paper 16x20" 50 Sheets Matte

SKU CH-WC0X-M38J9

Variable-contrast fibre-based black-and-white photographic paper, 16x20 inches, 50 sheets, matte finish, 255 g/m² weight

  • Variable contrast for full tonal control
  • 255 g/m² fibre base gives rich blacks and archival feel
  • Faster speed cuts exposure time in the darkroom
  • Uniform grade separation ensures consistent contrast steps
  • 50 sheets in 16×20" format for large-print work

Premium fibre-based darkroom paper

Ilford Multigrade FB Classic is a variable-contrast black and white photographic paper coated on a 255g/m2 fibre base. The 16x20 inch sheets come in a 50-sheet pack with a matte surface. It replaces the earlier Multigrade IV FB Fiber and delivers neutral image colour with rich blacks.

Suited for darkroom printers who tone prints

This paper serves creative printers who want excellent tonal rendition and a good response to toners. The short induction time of around 20 seconds and reduced wash times suit high-volume sessions. Buyers needing glossy surfaces or roll formats should look at the other available options.

Variable contrast with 255g/m2 fibre base

The single specification that decides fit is the variable-contrast emulsion on a 255g/m2 fibre base in a 16x20 inch matte sheet. This combination determines contrast control, tonal depth and handling in the darkroom. Match the paper size and surface to your enlarger and finishing workflow.

Highlights

  • Variable contrast for full tonal control
  • 255 g/m² fibre base gives rich blacks and archival feel
  • Faster speed cuts exposure time in the darkroom
  • Uniform grade separation ensures consistent contrast steps
  • 50 sheets in 16×20" format for large-print work

Specifications

No published specifications for this item yet.

Questions about this item

What darkroom equipment do I need to expose this 16x20" variable contrast paper?

You need an enlarger fitted with variable contrast filters or a colour head, a darkroom timer, three processing trays large enough for 16x20" sheets, and standard black and white chemistry.

Can I process these fibre based sheets in the same developer and fixer I use for resin coated papers?

Yes, standard black and white developer, stop bath and fixer work for both, but fibre based paper requires longer development and much longer washing than resin coated grades.

How can I confirm the paper is delivering the improved maximum density and uniform grade separation after my first test print?

Make a stepped test strip across grades 00 to 5; you should see clean separation between each grade and deep, rich blacks in the high contrast steps.

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