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HOYA Filter

Hoya 62mm W12 Umber Warming Color Conversion Filter

SKU CH-QV05-08G7D

Warming filter adds a 2200 K amber shift for tungsten-balanced film in daylight, with six-layer HMC coating

  • Warms images by 2200 K for natural daylight tones
  • Converts tungsten film to daylight with +120 mired shift
  • Eliminates blue cast on CineStill 800T outdoors
  • Six-layer HMC coating cuts flare and ghosting
  • Matches 85B filter strength for consistent results

Designed for tungsten film in daylight

This 62mm warming filter is built for photographers shooting tungsten-balanced film such as CineStill 800T outdoors. It adds a rich amber tone by shifting colour temperature 2200 K with a +120 mired correction. The W12 strength exceeds the W10 for a more neutral result on standard tungsten emulsions. Six layers of HMC multi-coating minimise reflection, flare and ghosting on modern lenses.

Fixed optical correction with no electronic control

The filter provides a single, permanent 2200 K shift equivalent to an 85B filter. It cannot be adjusted, stacked electronically or tuned per scene. Photographers needing variable colour correction or digital white-balance flexibility will find this glass filter limiting. The effect is baked into the exposure at the moment of capture.

Replaces weaker warming filters or digital fixes

It upgrades from a W10 or lesser amber filter when a stronger 120 mired shift is required for true daylight-to-tungsten conversion. The jump is worth it when shooting CineStill 800T or similar stocks in 5500 K ambient light, including flash or strobe. It is not for photographers who prefer to correct colour temperature in post-processing or who shoot daylight-balanced film.

Highlights

  • Warms images by 2200 K for natural daylight tones
  • Converts tungsten film to daylight with +120 mired shift
  • Eliminates blue cast on CineStill 800T outdoors
  • Six-layer HMC coating cuts flare and ghosting
  • Matches 85B filter strength for consistent results

Specifications

No published specifications for this item yet.

Questions about this item

Which warming filter strength should I choose between the W10 and W12 for my tungsten-balanced film?

The W12 provides a stronger 2200 Degree Kelvin shift (+120 mired) compared to the W10, delivering a richer dark amber hue and a more neutral look with standard tungsten films like CineStill 800T in daylight.

What does the 2200 Degree Kelvin conversion actually do to my images when shooting CineStill 800T outdoors?

It counteracts the heavy blue cast caused by using tungsten-balanced film in 5500 Degree K daylight, warming the exposure to produce natural, true-to-life colours without distortion.

How does the 62mm thread size and multi-coating affect compatibility and flare on modern lenses?

The 62mm thread fits lenses of that diameter, while the six-layer HMC multi-coating minimises reflection to reduce flare and ghosting with today's multi-coated optics.

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