Knox Gear KN-GC02 39" Hard Shell Guitar Case Gold Hardware
- Guitar Bag
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Hosa Technology
Two unbalanced 3-pin XLR female to mono 1/4" male cables, 2 ft (.6 m), connect microphones or mixers to amplifiers and interfaces
This pair of unbalanced cables links a 3-pin XLR female output to a mono ¼-inch male input. Each lead is two feet (.6 m) long, keeping patch bays and desktop interfaces tidy. The wiring follows the common pin-2-hot convention so the XLR hot signal reaches the ¼-inch tip directly. They suit microphones, mixers and audio interfaces that use this connector combination.
The pin-2-hot arrangement matches the most widespread industry standard, so the cable works with typical balanced outputs wired for unbalanced use without an adapter. Molded ¼-inch plugs and XLR shells lock the conductors in place, reducing the chance of intermittent contact when gear is moved. A flexible jacket resists kinking during repeated coil-and-uncoil cycles on stage or in the studio.
Verify that the source device actually presents an unbalanced signal on its XLR pins; a balanced output will not sum correctly through this wiring. Confirm the destination expects a mono ¼-inch TS connection rather than a stereo TRS jack. Ensure the two-foot reach spans the distance between your mounted devices without tension. Buyers needing balanced line-level runs or longer spans should look elsewhere.
No published specifications for this item yet.
The connectors are molded for strain relief and built for rigorous stage and studio environments, so they typically last the life of the cable without separate replacement.
At 2 feet the cable stays well within the length where unbalanced wiring picks up noticeable hum or RF interference, so noise floor is the practical limit before signal loss.
The passive copper conductors draw no power and produce no heat; the pin-2-hot wiring simply passes phantom voltage through without adding noise.
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