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Black dynamic cardioid microphone with XLR connector and mic clip

GLS Audio ES-57 Dynamic Cardioid Microphone 37-206

SKU CH-DQ5J-C50K0

Dynamic cardioid microphone for instruments, drums, percussion and vocals with 50 Hz to 15,000 Hz response and XLR connector

  • ColorBlack
  • ConnectorXLR
  • Microphone Sensitivity72 decibels
  • Microphone Signal to Noise Ratio(SNR)72
  • Clear vocals with focused cardioid pickup
  • Wide 50 Hz to 15,000 Hz frequency response
  • Low-noise 72 dB signal-to-noise ratio
  • Rugged metal body for stage and studio
  • Includes mic clip for quick setup

Purpose and audience

The GLS Audio ES-57 is a dynamic cardioid microphone built for musicians and engineers who need reliable capture of instruments, drums, percussion and vocals. Its unidirectional pattern focuses on the source while rejecting off-axis sound in both studio and live settings.

Build integration

The microphone terminates in an XLR connector and presents a 300 ohm impedance at 1,000 Hz, allowing direct connection to Lo-Z balanced inputs or Hi-Z 1/4 inch interfaces without additional matching gear. The cardioid response reduces bleed from nearby monitors or other instruments during tracking.

Included accessories

A mic clip is supplied in the box, providing a secure mounting point for standard stands so the microphone can be positioned quickly on drums, amplifiers or vocal booths. No software or cables are bundled, leaving cable choice and signal-chain decisions entirely to the user.

Highlights

  • Clear vocals with focused cardioid pickup
  • Wide 50 Hz to 15,000 Hz frequency response
  • Low-noise 72 dB signal-to-noise ratio
  • Rugged metal body for stage and studio
  • Includes mic clip for quick setup

Specifications

BrandGLS Audio
ModelES-57
Part Number37-206
ColorBlack
ConnectorXLR
Microphone Sensitivity72 decibels
Microphone Signal to Noise Ratio(SNR)72

Questions about this item

How much gain will I need before the ES-57's self-noise becomes audible during long sessions?

The microphone has a signal-to-noise ratio of 72 dB, so typical interface gain settings keep self-noise well below the programme material even after hours of use.

Does the ES-57's metal body get hot or add fan noise when used continuously on stage?

As a passive dynamic microphone it generates no heat and has no fan; the metal chassis simply acts as a rugged shield during extended performances.

What connector and cable type must I already have to plug the ES-57 into my mixer?

You need a standard XLR cable; the microphone uses a Lo-Z XLR 3-pin balanced output and also works with Hi-Z 1/4" via an adapter.

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