Knox Gear KN-GC02 39" Hard Shell Guitar Case Gold Hardware
- Guitar Bag
We take cryptocurrency — so the coins you hold can buy real hardware.Pay in crypto, spend it on real hardware. Free insured shipping worldwide over $399. Plain, unbranded boxes, sent from Germany.Free insured shipping over $399. Your rate is locked for 30 minutes once checkout opens.Rate locked 30 minutes. Every item sealed, serial-checked and covered by a 24-month warranty.Sealed, 24-month warranty.
Focusrite
An 18-input, 16-output USB-C audio and MIDI interface with four preamps offering 69dB gain, 24-bit 192kHz conversion, 122dB dynamic range, Air modes, Auto Gain, Clip Safe and four 20ft XLR cables
The Focusrite Scarlett 18i16 is an 18-input and 16-output USB-C audio and MIDI interface designed for musicians, producers and podcasters. It provides four microphone preamplifiers, two high-impedance instrument inputs and eight line inputs alongside ADAT and S/PDIF digital connections. The bundle includes four Kellards XLR-P20T 20 ft microphone cables for immediate studio setup.
The unit operates without a computer in standalone mode, useful for live monitoring or fixed installations where a host machine is not required. Its compact, portable format allows it to fit into mobile recording rigs without adding bulk or audible fan noise. Power is supplied over the USB-C connection, keeping cable count low for field recording sessions.
Four ultra-low-noise preamplifiers deliver up to 69 dB of gain, capturing quiet sources cleanly during long tracking sessions. RedNet 24-bit 192 kHz converters maintain a 122 dB dynamic range across extended recording periods. Auto Gain sets optimal levels quickly while Clip Safe monitors and adjusts gain in real time to prevent digital clipping on every take.
No published specifications for this item yet.
Connect the USB-C cable to your computer, install the Focusrite Control 2 driver, then select the 18i16 as the audio device in your DAW; the step often missed is enabling the interface in the operating system sound settings before opening the DAW.
The four microphone preamps and 24-bit 192kHz converters are solid-state with no moving parts, so they do not wear out; only the Kellards XLR cables may need replacing if the connectors or shielding become damaged.
The 122dB dynamic range is a converter specification, not a thermal limit; the first practical limit under sustained use is the 69dB maximum gain on the preamps, beyond which the noise floor rises noticeably.
Also in this aisle
Same shelf, same checkout — eight coins and a 30-minute rate lock.
What you pay in, and what you read prices in.
Sent from your wallet at checkout
Display only — the catalogue is priced in USD
No currency matches that.
Pick the language the site speaks to you in.
No language matches that.
New here?
Already have one?
There is no automatic reset: this shop sends no mail, so there is no one-time link to ask for. Leave the address on the account and it gets picked up by hand.
Request noted
Nothing is on its way to your inbox — this shop sends no mail at all. Someone picks these up by hand.
Remembered it?