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Electro-Voice
Cardioid dynamic broadcast microphone with Variable-D for minimal proximity effect, bundled with shockmount and two-section broadcast arm with integrated XLR cable
The Electro-Voice RE20 is a cardioid dynamic microphone designed for broadcast announcers, podcasters and voice-over artists who need consistent, low-noise vocal capture. Its Variable-D design minimises proximity effect, while the humbucking coil reduces electromagnetic interference. The bundle adds a black SSM-BC10 suspension shockmount and a two-section broadcast arm with an integrated XLR cable. Steel construction and a tailored frequency response suit professional speech applications.
As a dynamic microphone, the RE20 requires no phantom power but delivers lower output than typical studio condensers, so a clean preamp with adequate gain is essential. The cardioid pattern provides 180-degree off-axis rejection with virtually no colouration, yet it cannot isolate sound sources in highly reverberant rooms the way a tighter hypercardioid or shotgun pattern might. The bass roll-off switch compensates for low-frequency buildup but does not replace acoustic treatment. An XLR connection is mandatory; no USB or digital interface is included.
This bundle replaces handheld dynamics or USB microphones that exhibit pronounced proximity effect, handling noise or limited off-axis rejection. The integrated broadcast arm and shockmount eliminate the need for separate stands and mounts, reducing desk clutter and mechanical vibration. The jump is worthwhile when consistent microphone technique, long-session comfort and a permanent studio setup outweigh the simplicity and portability of a basic desktop microphone.
No published specifications for this item yet.
The bundle includes the RE20 microphone, a black matte SSM-BC10 suspension shockmount and a two-section broadcast arm with internal springs and an integrated XLR cable, plus mounting hardware and a riser.
Variable-D minimises proximity effect, so bass boost stays consistent even when you work very close to the microphone.
The frequency response remains nearly identical at 180 degrees off-axis, giving strong rejection of unwanted sounds without tonal coloration.
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