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Seven cinema prime lenses in a hard case, silver aluminium barrels, PL and EF mounts

DZOFILM

DZOFILM Vespid Prime Cinema 7-Lens Kit V2 PL EF Mount

SKU CH-7WH3-Q4M4S

Seven full-frame primes covering 16 mm to 125 mm with a T2.1–T22 aperture range in a unified, lightweight cinema kit

  • Seven primes cover 16 mm to 125 mm for versatile framing
  • T2.1 aperture on six lenses enables shallow depth of field
  • 5 mm image circle covers full-frame sensors cleanly
  • Internal focus design minimises breathing during rack focus
  • Uniform gear positions speed up lens swaps on set

Seven prime lenses for full-frame cinema

This kit provides seven prime lenses covering focal lengths of 16, 25, 35, 50, 75, 100 and 125 millimetres. Each lens projects a 46.5 mm image circle designed to cover full-frame sensors. The set is built for independent and studio film productions requiring a consistent look across a wide range of shooting scenarios.

PL and EF mount compatibility only

The lenses are supplied in PL and EF mount versions, limiting use to cameras accepting those specific mounts. Focus and iris gear positions are uniform across all seven lenses to speed up swaps without reconfiguring accessories. The internal focus mechanism keeps the front element stationary and minimises focus breathing during adjustments.

Maximum aperture varies between T2.1 and T2.8

Six lenses in the kit open to T2.1 while the 16mm lens opens to T2.8, setting the practical low-light limit for the widest focal length. All lenses share a minimum aperture of T22 for deep depth-of-field control. This aperture spread determines whether the kit meets the exposure needs of a specific production.

Highlights

  • Seven primes cover 16 mm to 125 mm for versatile framing
  • T2.1 aperture on six lenses enables shallow depth of field
  • 5 mm image circle covers full-frame sensors cleanly
  • Internal focus design minimises breathing during rack focus
  • Uniform gear positions speed up lens swaps on set

Specifications

No published specifications for this item yet.

Questions about this item

Should I pick the 16mm T2.8 or the 25mm T2.1 for tighter low-light interiors?

The 25mm T2.1 gathers more light with its faster T-stop, making it better suited for dim interiors, while the 16mm T2.8 offers a wider field of view for confined spaces.

What does the T2.1 to T22 aperture range actually give me on set?

It provides consistent exposure control from bright exteriors down to low-light scenes, with the 16mm starting at T2.8 and the other six lenses opening to T2.1 for shallower depth of field.

Does the PL and EF mount option limit the 46.5 mm image circle coverage?

No, the 46.5 mm image circle covers full-frame sensors on both PL and EF mounts, so you can swap mounts without losing the designed coverage area.

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