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Black cylindrical cine lens with PL mount, 21mm T1.4 marking

DZOFILM

DZOFILM Arles 21mm T1.4 FF/VV Prime Cine Lens PL Mount

SKU CH-S643-AVEA7

A 21mm T1.4 full-frame cine lens with PL mount for large-format sensors

  • Fast T1.4 aperture excels in low-light shooting
  • Covers large-format sensors including Vista Vision
  • Consistent 5000K colour temperature across focal range
  • Blue nano-coating controls flare and ghosting
  • M86 filter thread plus interchangeable PL/EF mounts

Wide 21mm T1.4 prime for large format

The DZOFILM Arles 21mm T1.4 is a full-frame and Vista Vision compatible cine lens with a PL mount. It serves filmmakers and cinematographers who need a fast wide-angle perspective for narrative work. The lens delivers a shallow depth of field at its maximum aperture.

M86 filter system and 14mm exception

The lens shares a common filter screw thread specification designed for the M86 filter system across the series. The 14mm focal length in the same lineup does not support this thread standard. Users must verify filter compatibility when mixing focal lengths.

Interchangeable mount system and consistent gearing

Interchangeable PL and EF mounts are available separately to fit different cinema cameras. Identical gear pitch and focus distance markings across the series simplify lens changes during production. Consistent 5000K color temperature reduces grading time between lenses.

Highlights

  • Fast T1.4 aperture excels in low-light shooting
  • Covers large-format sensors including Vista Vision
  • Consistent 5000K colour temperature across focal range
  • Blue nano-coating controls flare and ghosting
  • M86 filter thread plus interchangeable PL/EF mounts

Specifications

No published specifications for this item yet.

Questions about this item

Should I choose the 21mm T1.4 or the 14mm version for my large-format sensor?

The 21mm T1.4 covers Vista Vision and full-frame sensors; the 14mm variant does not support the M86 filter system, so check your matte-box needs before deciding.

What does the T1.4 aperture actually give me on set?

It provides a fast stop for low-light work and a shallow depth of field that isolates subjects while maintaining consistent exposure across the Arles series.

Does the PL mount limit which cameras I can use?

The lens ships with an interchangeable PL mount and an EF mount is available separately, letting you swap between PL-mount cine bodies and EF-mount cameras.

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