Beyerdynamic TG D57 707015 condenser clip-on cardioid microphone with 72 mm gooseneck
- Condenser Drum Micr…
- Transmission Type:…
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Beyerdynamic
A condenser clip-on microphone with a 20 mm angled gooseneck and integrated pre-amplifier for drums and percussion
The Beyerdynamic TG D58 is a condenser clip-on microphone with a cardioid polar pattern, designed for drums and percussion. It connects via a wired XLR 3-pin interface and features an integrated pre-amplifier within its clip. The model number is 707023 and it is manufactured in Germany.
The microphone uses a wired XLR 3-pin connection, so it requires a mixer or audio interface with phantom power for operation. Its cardioid polar pattern focuses on sound from the front while rejecting off-axis noise, which helps isolate individual drums. The frequency response spans 30 to 20KHz, capturing the full range of drum tones.
Installation is straightforward thanks to the patented clip that attaches directly to drum rims, reducing space requirements on crowded kits. A 20 mm swivel gooseneck allows precise aiming at snare drums, toms or percussion. The integrated pre-amplifier eliminates the need for external power modules, though users must ensure their input provides phantom power.
| Brand | Beyerdynamic |
|---|---|
| Series | TG D58 |
| Model | 707023 |
| Type | Condenser Drum Microphone (Cardioid) |
| Specification | Transmission Type: Wired Connection Type: XLR 3-pin Transducer Type: Condenser |
| Polar Pattern | Cardioid |
| Frequency Response | 30 - 20KHz |
| Feature | Clip microphone for toms, snare drums and percussions Low space needs and easy installation Optimal placement thanks to a swivel gooseneck Microphone clip with an integrated pre-amplifier |
| Shipping weight | 0.45 kg |
| Package size | 191 × 84 × 84 mm |
Other versions of this model
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The 707023 is a single cardioid condenser clip microphone designed for toms, snare drums and percussion; the integrated pre-amplifier and 20 mm gooseneck let you position it on any of those sources without needing a different model.
The 30 – 20KHz range captures the low fundamentals and high transients of drums and percussion, while the cardioid pattern rejects bleed from nearby cymbals and other kit pieces.
The wired XLR 3‑pin output requires a mixer or interface with phantom power for the condenser capsule, so cable runs and phantom-power availability determine placement distance.
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