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A professional audio mixer with XLR, 3.5 mm and Bluetooth connectivity offering 16 sound effects, 7 podcast modes, 4 voice-changer settings and dual DSP noise reduction at 120 kHz 24-bit
The Audio-Technica F998 Sound Card is a professional audio mixer built for podcasters, streamers and home-studio creators. It combines a live sound card, DJ mixer effects and a voice changer in one desktop unit. An imported dual DSP chip handles processing at 120kHz sample rate and 24-bit bitrate for detailed capture. The console includes intelligent light control that pulses to the music rhythm.
The unit runs on corded electric power with no internal battery to charge. Passive cooling keeps operation silent during long sessions. Low power draw means it can stay on for extended streams without adding noticeable heat to a small desk setup. No fan noise is generated, so background audio remains clean.
This mixer replaces a basic USB interface when you need 16 fixed background effects, 7 podcast modes, 4 voice changer modes and 4 special functions including denoise and voice-over. It supports up to three mobile devices simultaneously for multi-platform streaming. Buyers who require XLR microphone inputs with 48V phantom power or more than two 3.5mm mic ports should look elsewhere.
| Brand | Audio-Technica |
|---|---|
| Model | F998 Sound Card |
| Part Number | F998 |
| Connectors | XLR, 3.5mm, Bluetooth, USB |
| Audio | XLR, 3.5mm, Bluetooth |
| Power Requirement | Corded Electric |
| Features | XLR, 3.5mm, Bluetooth, Corded Electric, 4, USB |
| Dimensions | 14.33in W x 12.83in H x 9.06in D |
| Weight | 0.408 kilograms |
Plug the XLR cable into the dedicated 6.5 mm microphone input on the rear panel; the unit provides no 48 V phantom power, so use a dynamic microphone or an externally powered condenser.
No internal battery or user-serviceable parts exist; keep the vents clear of dust and wipe the exterior with a dry cloth — firmware updates, if released, are applied via the USB connection.
The dual DSP chipset processes audio at a fixed 120 kHz sample rate and 24-bit depth; sustained heavy effects chains will reach this processing ceiling before thermal limits appear.
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