Atomos
Atomos Ninja TX 5.2" Camcorder Kit
5.2" on-camera monitor and recorder with 1920 x 1080 IPS touchscreen, 1500 cd/m² brightness, 12G-SDI and HDMI 2.0 I/O, 8K30 ProRes RAW capture, and integrated Wi-Fi for cloud uploads
- 2" 1920 x 1080 IPS touchscreen delivers bright 1500 cd/m² daylight viewing
- Records 8K30 ProRes RAW plus all codecs to CFexpress Type B or USB-C
- Locking 12G-SDI and HDMI 2.0 I/O secures professional 4K60 workflows
- Built-in NDI HX3 licence and Wi-Fi enable direct camera-to-cloud streaming
- Integrated RF/Bluetooth timecode sync keeps multi-camera shoots perfectly aligned
5.2-inch Camera-to-Cloud Monitor/Recorder
The Atomos Ninja TX is a 5.2-inch on-camera monitor and recorder built for production teams that need integrated cloud connectivity. It combines a 1920 x 1080 IPS touchscreen with 12G-SDI and HDMI 2.0 input/output for flexible signal routing.
Preloaded NDI HX3 License and All Codecs
The unit ships with an NDI HX3 license and built-in support for ProRes RAW, DNx and H.265, removing the need for separate codec purchases or activations. Integrated Wi-Fi enables direct camera-to-cloud uploading and wireless timecode sync without extra hardware.
12G-SDI and HDMI 2.0 Interface Limits
12G-SDI and HDMI 2.0 inputs cap raw recording at 8K30 and standard video at 4K60, so higher frame-rate or resolution workflows are not supported. The single CFexpress Type B slot and USB-C port define the maximum recording media options available.
Highlights
- 2" 1920 x 1080 IPS touchscreen delivers bright 1500 cd/m² daylight viewing
- Records 8K30 ProRes RAW plus all codecs to CFexpress Type B or USB-C
- Locking 12G-SDI and HDMI 2.0 I/O secures professional 4K60 workflows
- Built-in NDI HX3 licence and Wi-Fi enable direct camera-to-cloud streaming
- Integrated RF/Bluetooth timecode sync keeps multi-camera shoots perfectly aligned
Specifications
No published specifications for this item yet.
Questions about this item
Will the CFexpress Type B card or USB-C drive need replacing after heavy 8K30 ProRes RAW recording?
Both media types handle 8K30 ProRes RAW; replace only if a card fails or you need more capacity.
What limit appears first during continuous 8K30 ProRes RAW capture?
The 30 fps frame-rate ceiling and media write speed are the first bottlenecks.
How loud or hot does the unit get when recording 4K60 all day?
AtomOS Linux runs cooler and quieter; the 1500 cd/m² screen is the main heat source.
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