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Venus Optics
Venus Optics Laowa Cine Prime Wide + Macro 3-Lens Bundle 10mm T2.1 17mm T1.9 50mm T2.9 Micro Four Thirds
A three-lens Micro Four Thirds set covering ultra-wide 10mm, standard 17mm and 50mm macro with fast T1.9 to T2.9 apertures
- Ultra-wide 10 mm T2.1 lens covers 96° on Micro Four Thirds
- 17 mm T1.9 lens focuses to 15 cm for detailed close-ups
- 50 mm T2.9 macro APO lens delivers 1:1 magnification
- All three lenses share 0.8 mod focus and aperture gears
- 17 mm T1.9 includes 49 mm filter thread for screw-in filters
Three cine primes for Micro Four Thirds
This bundle supplies three Laowa cine primes — 10mm T2.1, 17mm T1.9 and 50mm T2.9 — built for Micro Four Thirds cameras. Each lens carries 0.8 mod focus and iris gears, matching standard follow-focus and matte-box accessories. The set covers ultra-wide, normal-wide and short-telephoto perspectives in a single case.
Filmmakers needing matched wide-to-portrait coverage
The trio suits narrative, documentary and gimbal operators who want consistent gear handling across focal lengths. Shooters requiring autofocus, electronic aperture control or full-frame image circles should look elsewhere, as these are manual-focus, manual-aperture designs for the Micro Four Thirds format only.
10mm T2.1 Zero-D with 96-degree coverage
The 10mm delivers a 96-degree angle of view on Micro Four Thirds with close-to-zero distortion, making it the decisive spec for tight interiors, vehicle rigs and gimbal work where an ultra-wide rectilinear view is essential.
Highlights
- Ultra-wide 10 mm T2.1 lens covers 96° on Micro Four Thirds
- 17 mm T1.9 lens focuses to 15 cm for detailed close-ups
- 50 mm T2.9 macro APO lens delivers 1:1 magnification
- All three lenses share 0.8 mod focus and aperture gears
- 17 mm T1.9 includes 49 mm filter thread for screw-in filters
Specifications
No published specifications for this item yet.
Questions about this item
Should I pick the 10mm T2.1, 17mm T1.9 or 50mm T2.9 for my next shoot?
The 10mm T2.1 covers 96 degrees for ultra-wide scenes, the 17mm T1.9 gives a 34mm full-frame equivalent view and focuses down to 5.9 inches, while the 50mm T2.9 is a macro APO lens for close-up detail.
What does the T1.9 aperture on the 17mm lens actually deliver on a Micro Four Thirds body?
It provides the fastest light transmission in the set for low-light work and shallow depth of field, while the 0.8 mod gears allow precise manual iris pulls during recording.
Does the 49mm filter thread on the 17mm lens limit which filters I can use?
It accepts standard 49mm screw-in filters; the 10mm and 50mm lenses in the bundle do not have filter threads listed.
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