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Nisi Athena Prime 135mm T2.2 cinema lens for Fujifilm G mount, silver barrel

Nisi

Nisi ATHENA PRIME 135mm T2.2 Cinema Lens Fujifilm G

SKU CH-DPPZ-PRP5D

Full-frame 135mm cinema lens with T2.2 aperture and 46mm imaging circle for Fujifilm G mount

  • Full-frame coverage with 46mm imaging circle
  • Fast T2.2 aperture for shallow depth of field
  • Minimised focus breathing keeps framing consistent
  • Matched iris and focus rings across Athena series
  • 135mm focal length for tight telephoto perspective

Full-frame cinema prime for Fujifilm G

The NiSi ATHENA PRIME 135mm T2.2 is a cinema lens built for the Fujifilm G mount. It covers a 46mm imaging circle suitable for full-frame sensors. The lens is designed for filmmakers who need consistent rendering across the Athena series.

Unified ring positions across the Athena range

Iris and focus rings sit in the same locations as other Athena primes, allowing quick lens swaps without re-rigging follow-focus gear. The design minimises focus breathing to maintain a steady field of view during rack pulls. No drop-in filter holder is included with this unit.

135mm focal length with T2.2 aperture depth

The 135mm focal length provides tight framing for portraits and detail work. At T2.2 the lens delivers shallow depth of field for strong subject separation. Micro-contrast control and chromatic aberration suppression preserve detail in high-contrast scenes.

Highlights

  • Full-frame coverage with 46mm imaging circle
  • Fast T2.2 aperture for shallow depth of field
  • Minimised focus breathing keeps framing consistent
  • Matched iris and focus rings across Athena series
  • 135mm focal length for tight telephoto perspective

Specifications

No published specifications for this item yet.

Questions about this item

How often should I service the iris mechanism on this 135mm cinema lens?

The iris ring shares the same position as other Athena primes, so routine cleaning of the gear teeth and occasional lubrication by a qualified technician will keep it operating smoothly.

What optical limit appears first when I shoot wide-open at T2.2 for extended takes?

At T2.2 the lens is designed to minimise focus breathing and chromatic aberration, so the practical limit is depth-of-field control rather than optical degradation.

Does the barrel get hot or the focus ring stiff during all-day production use?

The all-metal construction dissipates heat naturally, and the matched focus-ring position across the Athena range ensures consistent torque without binding during long sessions.

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