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White super-cardioid directional microphone, model PVM 480

Lynn Peavey

Lynn Peavey PVM 480 White Super Cardioid Directional Microphone

SKU CH-7DV0-Z13BK

A super-cardioid directional microphone with a flat 40 Hz to 20 kHz frequency response, -45 dB sensitivity and 128 dB maximum SPL

  • Super-cardioid pattern rejects off-axis sound
  • Flat 40 Hz – 20 kHz response captures full range
  • 45 dB sensitivity picks up quiet sources
  • Handles 128 dB SPL without distortion
  • PVM 480 model built for stage and studio

Purpose-built vocal microphone

The Lynn Peavey PVM 480 is a white super-cardioid directional microphone designed for singers and speakers who need focused pickup. Its polar pattern rejects off-axis sound so vocals stay clear on stage or in a broadcast booth.

Practical limits of super-cardioid pickup

The super-cardioid pattern narrows front acceptance while adding a rear lobe that must be managed with monitor placement. Flat response from 40 Hz to 20 kHz captures the full vocal range without colouration. Sensitivity sits at -45 dB and maximum SPL reaches 128 dB, so loud sources are handled cleanly but very quiet sources may need extra gain.

Deciding specification — 128 dB maximum SPL

The 128 dB maximum SPL is the single figure that tells you whether this microphone suits your application. If your source exceeds that level, distortion will occur; if it stays below, the capsule performs within its rated limits. Buyers who need higher SPL tolerance must choose a different model.

Highlights

  • Super-cardioid pattern rejects off-axis sound
  • Flat 40 Hz – 20 kHz response captures full range
  • 45 dB sensitivity picks up quiet sources
  • Handles 128 dB SPL without distortion
  • PVM 480 model built for stage and studio

Specifications

No published specifications for this item yet.

Questions about this item

What does the 40 Hz to 20 kHz frequency range mean for my recordings?

It captures the full audible spectrum from deep bass to high treble, so vocals and instruments sound natural without rolled-off lows or missing highs.

How loud can a source be before the 128 dB SPL limit is reached?

128 dB SPL handles very loud sources such as drums or guitar amps without distortion, well above typical stage volumes.

What connector does the PVM 480 use and what cable do I need?

It uses a standard three-pin XLR connector, so any balanced XLR cable will carry the signal to a mixer or interface.

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