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Silver cylindrical cine lens with matte finish, 95mm front diameter, PL mount, focus and iris gear rings

DZOFILM

DZOFILM Arles 50mm T1.4 FF/VV Prime Cine Lens ARRI PL Mount

SKU CH-PKA4-KRZX8

Full-frame PL-mount 50mm T1.4 cine prime with 16-blade iris, 270° focus rotation and 95mm front diameter for consistent matte-box use

  • T1.4 aperture captures low-light scenes with shallow depth
  • 16-blade iris renders smooth circular bokeh for cinematic highlights
  • 270° focus rotation enables precise manual focus pulls
  • 95mm front diameter and 0.8 MOD gears simplify lens swaps
  • 5mm image circle covers full-frame and VistaVision sensors

Arles 50mm T1.4 Cine Lens

The DZOFILM Arles 50mm T1.4 is a full-frame prime cine lens built for ARRI PL-mount cameras. It covers a 46.5mm image circle and delivers a 50.23° diagonal field of view. The optical design uses 13 elements in 9 groups to produce a soft, low-contrast look at wide apertures.

Suited for narrative cinematography.

This lens suits cinematographers who need consistent 95mm front diameters and 0.8 MOD gearing across a set for fast lens changes. The 16-blade iris creates smooth circular bokeh, and 270° focus rotation allows precise manual control. Shooters requiring autofocus, electronic aperture control or lighter weight should consider other options.

T1.4 aperture and 19.7" close focus

The maximum T1.4 aperture enables shallow depth of field and low-light exposure, while the minimum focus distance of 19.7 inches lets you work close to subjects. The iris ring rotates 80° and the aperture stops down to T22 for deep focus scenes. An M86 filter thread supports standard matte boxes and filters.

Highlights

  • T1.4 aperture captures low-light scenes with shallow depth
  • 16-blade iris renders smooth circular bokeh for cinematic highlights
  • 270° focus rotation enables precise manual focus pulls
  • 95mm front diameter and 0.8 MOD gears simplify lens swaps
  • 5mm image circle covers full-frame and VistaVision sensors

Specifications

No published specifications for this item yet.

Questions about this item

Should I pick the 50mm T1.4 or a different focal length in the Arles series?

Choose the 50mm T1.4 for a natural perspective on full-frame sensors; its 50.23° diagonal field of view suits general narrative work, while other Arles focal lengths provide wider or tighter angles for different framing needs.

What does the T1.4 aperture deliver on set?

The T1.4 aperture transmits maximum light for low-light scenes and creates a shallow depth of field; the 16-blade iris produces smooth circular bokeh, and the soft low-contrast look at wide aperture gives a painterly character to skin tones.

How does the ARRI PL mount and 0.8 MOD gearing affect my workflow?

The interchangeable PL mount fits ARRI PL-mount cameras directly; 0.8 MOD focus and iris gears match standard cine accessories, and the consistent 95mm front diameter across the Arles range allows quick lens swaps without repositioning matte boxes or follow-focus units.

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